- All prices include shipping and insurance within Australia.
- For international orders, please contact me for a shipping quote.
- I aim to send your painting as soon as possible after your order, always with tracking.
- If there’s ever a delay, I’ll let you know right away.
- If you have any questions, please email me at info@damiantalbot.com — I’m always happy to help.
Purchasing artwork online can be daunting, so I offer a guarantee: if you receive your painting and are not 100% satisfied, you may return it within 7 days for a full refund of the painting’s price. The painting needs to be returned in the packaging provided and in good condition. Shipping costs for delivery and return are the responsibility of the customer.
If your painting arrives damaged, please contact me immediately, and I will work with you to resolve the issue. This may include a full refund or repair depending on the situation.
All shipping damages must be reported within 7 days of receiving the painting.
Paintings are sold unframed, allowing you to pick a frame that suits your home.
Photographing a painting can be surprisingly tricky, even when using a digital camera in full manual mode, shooting in RAW, and carefully editing in programs like Darktable or GIMP to try and match the painting.
Many factors can influence how the final image appears, including the age and brand of the camera, settings like shutter speed, ISO, white balance, and focal length, as well as the size and calibration of your screen and the lighting conditions where you're viewing it.
I use a grey card during capture to help ensure accurate colour calibration, but as with all digital reproductions, there may still be slight variations from the original.
If you'd like additional photos or even a short video to get a better sense of the painting, just let me know, I’m happy to provide that.
Clifton Beach, about 25 kilometres southeast of Hobart, is one of my favourite places to paint. I’ve spent many hours there, chasing the changing light, sunrise, sunset, and all the shifting moods in between.
One day, I walked up to the northern headland, intending to paint the sweep of the beach below. But as I turned to look back, something else caught my eye—a beautiful green bush, full of life and movement. In that moment, the crashing waves and distant shoreline faded into the background. What captivated me was the bush itself, its form, its spirit, its quiet defiance against the wind.
It’s grown since I last visited. I find myself wondering how large it will be in twenty years, or even a hundred. There’s something humbling in that kind of quiet persistence.
Title: The bushy knoll above Clifton beach (2025)
Size: 29cm (height) x 40cm (width)
Medium: oil on board
Frame: Tasmanian oak, finished with sun-thickened oil, shellac and wax.