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Paintings are sold unframed, allowing you to pick a frame that suits your home.
Photographing a painting can be surprisingly tricky, even when using a digital camera in full manual mode, shooting in RAW, and carefully editing in programs like Darktable or GIMP to try and match the painting.
Many factors can influence how the final image appears, including the age and brand of the camera, settings like shutter speed, ISO, white balance, and focal length, as well as the size and calibration of your screen and the lighting conditions where you're viewing it.
I use a grey card during capture to help ensure accurate colour calibration, but as with all digital reproductions, there may still be slight variations from the original.
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This is a colour study of North Clifton Beach, done in preparation for a larger painting I’ve been working on. It helped me scope out the place and get a feel for it. I did about four or five of these studies, along with a few drawings and journal entries, all leading up to the bigger piece. I painted this at around 1:40 pm in February, towards the end of summer, when the days begin to shorten. If you visit the 'About' page and homepage you can see me working on the larger painting. The amber golden hue of the linseed oil and wax-finished western red cedar frame felt like it matched the painting’s mood perfectly.
Title: Colour study: where the northern head meets Clifton Beach, 1:40pm, late summer sun (2025)
Size: 20cm (height) x 27cm (width)
Medium: oil on board
Frame: Western Red Cedar, finished with cold-pressed linseed oil and wax.