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Photographing a painting can be surprisingly tricky, even when using a digital camera in full manual mode, shooting in RAW, and carefully editing in programs like Darktable or GIMP to try and match the painting.
Many factors can influence how the final image appears, including the age and brand of the camera, settings like shutter speed, ISO, white balance, and focal length, as well as the size and calibration of your screen and the lighting conditions where you're viewing it.
I use a grey card during capture to help ensure accurate colour calibration, but as with all digital reproductions, there may still be slight variations from the original.
If you'd like additional photos or even a short video to get a better sense of the painting, just let me know, I’m happy to provide that.
Tasmania is well-known for its walking and hiking tracks, especially on the west coast, where you can even take a helicopter in and walk for days, or even weeks, if you're up for it. Cradle Mountain and the Great Lakes are other popular spots. But there are also some great trails around Hobart, and you can easily lose yourself in these for hours. One of my favourites is the Alum Trail, which meanders along Kingston Beach back towards Hobart. You get some great views, like this one of Kingston Beach from above. It was a cold day when I painted this—only 3 degrees, luckily, I remembered to pack my gloves.
Title: A cold afternoon over Kingston beach, seen from the Alum Trail (2025)
Size: 31cm (height) x 19.5cm (width)
Medium: oil on board